(Source: qpic, via artsofislam)
(Source: qpic, via artsofislam)
Profile of Iranian street artist A1ONE (by Webistan Photo Agency)
Siyah mashq (lit. ‘black practice’ in Persian) originally referred to calligraphic practice sheets where words and letters were written facing in several directions and over each other, in order to conserve paper. However, when calligraphers realized how stunning some of these pieces were, siyah mashq evolved into a style of its own, where words and letters were repeated, regardless of meaning, in rhythmical compositions.
via islambook.net
Shirin Neshat, Stories of Martyrdom, 1994. B&W RC print and ink. Via ArtSlope
Shirin Neshat, Unveiling (ink on photographs), 1993. Via Every Day
Shirin Neshat, via Pillow Book
untitled (women of allah series), shirin neshat, 1996
writing on hand: forough farokhzad, i feel sorry for the garden
no one is thinking about the flowers / no one is thinking about the fish / no one wants to believe / that the garden is dying / that the garden’s heart has swollen under the sun / that the garden / is slowly forgetting its green moments…
(Source: baccuroth)
Speechless, 1996, by Shirin Neshat. Via via photo
Painting by Elnaz Javani. Via Iranian Contemporary Art
Devanagari Calligraphy.
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