(Source: qpic, via artsofislam)
(Source: qpic, via artsofislam)
Square tile with holy names. Iran, 15th century. Via jameelcentre.ashmolean.org
Arabic Graffiti by El Seed - Tunis, Tunisia
(via paxmachina)
Profile of Iranian street artist A1ONE (by Webistan Photo Agency)
تن ها / Tanha / Alone. Graffiti by Iranian street artist A1one. Via FatCap
Graffiti artist A1one a.k.a. Tanha in Iran
(via vandalog)
Siyah mashq (lit. ‘black practice’ in Persian) originally referred to calligraphic practice sheets where words and letters were written facing in several directions and over each other, in order to conserve paper. However, when calligraphers realized how stunning some of these pieces were, siyah mashq evolved into a style of its own, where words and letters were repeated, regardless of meaning, in rhythmical compositions.
via islambook.net
Poster by Iranian graphic designer Farhad Fozouni, via noella // craves
فاصله ی میان دو حرف : برونو مونگوتسی
Bruno Monguzzi: Space between two letters. Poster via Iranian Graphic News Agency
Poster by Iranian designer Homa Delvaray. Via Iranian
Commemoration of Shahpour Bonyad, poster by Iranian designer Morteza Mahallati, 2006, via www.odatv.com
(via eyeburfi)
at walima (by lebanese illustrator mazen kerbaj)
Shirin Neshat, Stories of Martyrdom, 1994. B&W RC print and ink. Via ArtSlope
Shirin Neshat, Unveiling (ink on photographs), 1993. Via Every Day
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