eye burfi

Apr 17

Folio from the Ramayana of Valmiki (The Freer Ramayana): Rama strikes down Khara with an arrow
1597-1605, Qasim , (Mughal, Northern India)
Source: Wikipedia

Folio from the Ramayana of Valmiki (The Freer Ramayana): Rama strikes down Khara with an arrow

1597-1605, Qasim , (Mughal, Northern India)

Source: Wikipedia

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Two Studies of a Tiger, Mughal, c. 1570-80, Source: Cawdell Douglas

Two Studies of a Tiger, Mughal, c. 1570-80, Source: Cawdell Douglas

Apr 05

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Mar 26

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Mar 04

Men falling from rearing horses. Pahari, style of Nainsukh; mid 18th century. From Stages of Depiction: Indian Drawings, 17th-19th Centuries, Hurst Gallery  

Men falling from rearing horses. Pahari, style of Nainsukh; mid 18th century. From Stages of Depiction: Indian Drawings, 17th-19th Centuries, Hurst Gallery  

Feb 21

animus-inviolabilis:

The Goddess Durga Killing the Buffalo Demon, Mahishaca. 1760India (Rajasthan, Mewar)
Durga has already cut off Mahisha’s buffalo head and is shown bearing down on his human form, which emerges from the bleeding neck.

animus-inviolabilis:

The Goddess Durga Killing the Buffalo Demon, Mahisha
ca. 1760
India (Rajasthan, Mewar)

Durga has already cut off Mahisha’s buffalo head and is shown bearing down on his human form, which emerges from the bleeding neck.

latticelight:
Krishna Quelling the Serpent King Kaliya India, Himachal Pradesh, Guler, circa 1775-1800. Ink and opaque watercolor on paper.

latticelight:

Krishna Quelling the Serpent King Kaliya India, Himachal Pradesh, Guler, circa 1775-1800. Ink and opaque watercolor on paper.

Descent of the Holy Family from Mount Kailasa. India, Himachal Pradesh, Guler or Mandi, attributed to Sajnu, circa 1810-20. Source: Christie’s

Descent of the Holy Family from Mount KailasaIndia, Himachal Pradesh, Guler or Mandi, attributed to Sajnu, circa 1810-20. Source: Christie’s

Feb 12

The Holy Family. c 1780-1800  Pahari, Kangra or Garhwal. Source: Art Gallery NSW
Shiva swaying to the music played by his wife Parvati, and his elephant-headed son, Ganesha.  Shiva’s multi-headed son, Kartikeya, his bull mount, Nandi, Ganesha’s rat mount and Kartikeya’s peacock mount are also seen.

The Holy Family. c 1780-1800  Pahari, Kangra or Garhwal. Source: Art Gallery NSW

Shiva swaying to the music played by his wife Parvati, and his elephant-headed son, Ganesha.  Shiva’s multi-headed son, Kartikeya, his bull mount, Nandi, Ganesha’s rat mount and Kartikeya’s peacock mount are also seen.

Shiva, Parvati and Family, Guler, c 1780. The holy family in a domestic scene, darning cloth and stringing a garland of skulls

Shiva, Parvati and Family, Guler, c 1780. The holy family in a domestic scene, darning cloth and stringing a garland of skulls

A Domestic Scene of Shiva and Parvati with Family India, Himachal Pradesh, Guler or Mandi, attributed to Sajnu, circa 1810-20.
This painting by the Pahari painter Sajnu depicts Shiva and Parvati straining bhang for drinking. Scenes of the Holy Family in domestic bliss were a popular theme with Pahari painters. In these scenes, Shiva is transformed and humanized from the wild ascetic to a doting husband and father, though still retaining trappings of his divine status. 
Source: Indian Routes 

A Domestic Scene of Shiva and Parvati with Family India, Himachal Pradesh, Guler or Mandi, attributed to Sajnu, circa 1810-20.

This painting by the Pahari painter Sajnu depicts Shiva and Parvati straining bhang for drinking. Scenes of the Holy Family in domestic bliss were a popular theme with Pahari painters. In these scenes, Shiva is transformed and humanized from the wild ascetic to a doting husband and father, though still retaining trappings of his divine status. 

Source: Indian Routes 

Feb 10

Ravana shaking Mount Kailash, c 1790-1800, Mandi. Source: National Museum.
 
 

Ravana shaking Mount Kailash, c 1790-1800, Mandi. Source: National Museum.
 

 

Karni Bharni 18th c. From the exhibition The Body in Indian Art. Source: Europalia.India 

Karni Bharni 18th c. From the exhibition The Body in Indian Art. Source: Europalia.India 

Feb 09

bulletproofbhatki:

Krishna the Divine Lover
Malwa region, Central India, circa 1720
Opaque watercolour and gold on paper
34 x 25

bulletproofbhatki:

Krishna the Divine Lover

Malwa region, Central India, circa 1720

Opaque watercolour and gold on paper

34 x 25

(Source: prahladbubbar.com)